Wednesday, June 9, 2010
Final- Project 3- Artist- Richard Goodwin- Porosity
Richard Goodwin is a hybrid: part sculptor, part architect, and it's impossible to tell where one discipline ends and the other begins. His architecture is art - one of his house designs has Messerschmitt wings as a roof - and his art is architecture. He designs what he calls "parasites", large scale sculptures that leach on to existing buildings. A lecturer at COFA and the winner of the 2004 Helen Lempriere National Sculpture Award, he's produced some of his most exciting work in a major Australia Galleries show.
Porosity is a research project established at COFA-UNSW by Professor Richard Goodwin. According to Goodwin, the aim of Porosity is, The revision of public space in the city using public art to test the functional boundaries of built form.
Porosity is a research project established at COFA-UNSW by Professor Richard Goodwin. According to Goodwin, the aim of Porosity is, The revision of public space in the city using public art to test the functional boundaries of built form.
Tuesday, June 1, 2010
Friday, May 28, 2010
Tuesday, May 18, 2010
Museum of Anthropology, the University of British Columbia, Vancouver, by Arthur Erickson
The Museum was founded in 1947 when the various items in UBC's ethnographic collection were put on display in the basement of the Main Library. Dr Harry Hawthorn served as the first director of the new Museum, with his wife, Dr Audrey Hawthorn, serving as its first curator. In 1971 the Museum received funds from the Government of Canada and UBC to begin construction of a new building. In 1976, the new building, designed by renowned Canadian architect Arthur Erickson, opened under new director Michael Ames, who served from 1974 to 1997. Walter and Marianne Koerner's 1975 donation of their extensive collection of Northwest Coast First Nations art to the Museum formed a large part of the new building's contents. In 1997 Dr. Ruth Phillips became museum director. In 2002 Dr. Michael Ames returned as acting director. Dr. Anthony Shelton became director in 2004. Arthur Erickson's building was inspired by the post-and-beam architecture of northern Northwest Coast First Nations people. Like much of Erickson's work, the building is made primarily out of concrete.
Musée du Jeu de Paume, Paris, by Antoine Stinco
At the northeast corner of the Tuileries Gardens in Paris, to the left of the Place de la Concorde entrance, is the Jeu de Paume, originally a court for a game similar to tennis known as the jeu de paume (from paume, "palm", with which the ball was struck). The Jeu de Paume was built in 1851, under the Second Empire, but was considerably altered in 1931. Until 1986 the Jeu de Paume housed the Louvre's world-famous collection of Impressionists, now displayed in the Musée d'Orsay. After being remodelled by Antoine Stinco the Galerie National du Jeu de Paume reopened in June 1991. Its 2,000sq.m/21,500sq.ft of exhibition space, on two floors, now house periodic special exhibitions of contemporary art.
Tuesday, May 4, 2010
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